Jourdain
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NEWTON ROUSE-BALL, W.W.. An Essay on Newton's 'Principia'. London: Macmillan and Co. 1893.. 1893.
x[ii], 175[1] pp., plus 8 pp. advertisements. Original red cloth, faded, worn at top and bottom of spine. First edition. From the library of Philip E.B. Jourdain, with his ownership inscription dated August 1901 to front pastedown, and with marginal notes throughout. Walter William Rouse Ball (1850-1925) was appointed a lecturer in mathematics at Trinity College Cambridge in 1878 and from 1891 became Director of Mathematical Studies; he is probably best known as a historian of mathematics. His 'A short account of the history of mathematics', first published in 1888, was reprinted a number of times. He also published histories of university and college societies, including a history of the First Trinity Boat Club. Philip Edward Bertrand Jourdain (1879-1919) worked mainly in mathematical logic; he was a friend of, and inspired by, Russell. Jourdain was assistant editor, and later chief editor, of 'The Monist', and Russell's lectures on logical atomism were published in 'The Monist' in 1918/19, but Jourdain and Russell fell out over payment for the lectures. Jourdain prepared for the press his work 'The Philosophy of Mr. B*rtr*nd R*ss*ll' (published in 1918), Russell having given his blessing to the work in manuscript..
[SW: MATHEMATICS SCIENCE History of Science en 1893,]
[TOULOUSE-LAUTREC.] JOURDAIN Francis, ADHEMAR Jean. T.-Lautrec. Essai sur Toulouse-Lautrec, par Francis JOURDAIN. Lautrec, peintre-graveur, par Jean ADHEMAR. Avec un "Repertoire" Lautrec et des notices analytiques par Jean ADHEMAR. Paris, Pierre Tisne, 1955.
In-4 pleine toile de l'editeur illustree en couleurs sous etui pleine toile, 143 pages, 128 reproductions en noir et en couleurs, ces dernieres contrecollees. Chronologie, notices analytiques, bibliographie. (Larges aureoles en tete des faux-titre, titre et premiere page, pages legerement gondolees.) BON EXEMPLAIRE. 45
[SW: BEAUX ARTS MONOGRAPHIES ARTISTES TOULOUSE LAUTREC JOURDAIN FRANCIS ADHEMAR JEAN LAUTREC ESSAI TOULOUSE LAUTREC FRANCIS JOURDAIN LAUTREC PEINTRE GRAVEUR JEAN ADHEMAR REPERTOIRE LAUTREC NOTICES ANALYTIQUES JEAN ADHEMAR 00187329 BXA01 ZX829]
[TOULOUSE-LAUTREC.] JOURDAIN Francis, ADHEMAR Jean. T.-Lautrec. Essai sur Toulouse-Lautrec par Francis JOURDAIN. Lautrec, peintre-graveur par Jean ADHEMAR. Avec un "Repertoire" Lautrec et des notices analytiques par Jean ADHEMAR. (Collection Promethee.) Paris, Pierre Tisne, 1952.
In-4 pleine toile de l'editeur, ornee d'une vignette en couleurs, sous rhodoid, 143 pages, 128 reproductions en noir et en couleurs, ces dernieres contrecollees. Chronologie, notices analytiques, bibliographie. Index. BON EXEMPLAIRE. 40
[SW: BEAUX ARTS MONOGRAPHIES ARTISTES TOULOUSE LAUTREC JOURDAIN FRANCIS ADHEMAR JEAN LAUTREC ESSAI TOULOUSE LAUTREC FRANCIS JOURDAIN LAUTREC PEINTRE GRAVEUR JEAN ADHEMAR REPERTOIRE LAUTREC NOTICES ANALYTIQUES JEAN ADHEMAR COLLECTION PROMETHEE 00206157 BXA01 ZX13]
Barre-Despond, Arlette. Jourdain. New York, NY, U.S.A.: Rizzoli International Publications, Incorporated, 1991. ISBN: 0847813096
First edition FIRST US EDITION, FIRST PRINTING. 414 pages with index and many color photos. The book is is FINE/AS NEW (unread) condition and still in publishers shrink-wrap. The dust jacket is in FINE condition. NOT remaindered. JMVINTAGE specializes in Books, Magazines and Treasures related to the Duke and Duchess of Windsor and..other curious subjects. The dust jacket reads:. Documenting the French design artistry of three generations of fhe Jourdain family, this book presents Parisian design for over a hundred years. The book's primary focus in Frantz Jourain (1847-1935) who was a leading practioner of Art Nouveau architecture and chanpioned the renewal of singularly Franch traditions of decoration. His ideas on adornment and embellishment helped to preserve Paris as a citadel of taste and luxury in the early twentieth century. Frantz Jourdain is best known for his design of La Samaritaine, The Paris department store. Its polychromatic horizontal panels of encrusted tiling are indicative of the gracious adornment he insisted was necessary in the face of the harsh realities of urban life. The design, influences, and construction of this marvelous structure is discussed and further revealed in newly-commissioned photographs of its renovation. Hard Cover condition: Fine in Fine DJ
[SW: Architecture/Architectural Design]