Deathcamp

Berges, Max L. Cold Pogrom, Philadelphia JPSA 1939

VG/G+ as few chips to d/w, 1st edn, what happens to one Jewish family when Nazis seize power; incl. book of rememberance from 1943, Jersey City with whole deathcamp families cited by the bereaved.

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Kleeblatt, Norman L. (Edited by): Mirroring Evil: Nazi Imagery/Recent Art, New York and New Brunswick, NJ Jewish Museum; Rutgers University Press 2002 ; weicher Einband / soft cover ISBN: 0813529603
0813529603 NEW

xviii, 164 pp., [16] pp. of plates, illus. (some col.), biblio.; 28 cm. Catalogue of an exhibition opening at the Jewish Museum in New York in March, 2002. BRAND NEW. Shrinkwrapped. This controversial and important exhibition was picketed by some Orthodox Jews in New York. CONTENTS: Foreword: Looking into the Mirrors of Evil, by James E. Young; The Nazi Occupation of The White Cube: Transgressive Images/Moral Ambiguity/Contemporary Art, by Norman L. Kleebatt; Acts of Impersonation: Barbaric Spaces as Theater, by Sidra DeKoven Ezrahi; Childhood, Art, and Evil, by Ellen Handler Spitz; "Avant-Garde and Kitsch" Revisited: On the Ethics of Representation, by Lisa Saltzman; Playing the Holocaust, by Ernst van Alphen; Playing it Safe? The Display of Transgressive Art in the Museum, by Reesa Greenberg; Keeping One's Hands Clean: Six Commissioned Portraits of a Perpetrator: Christine Borland's L'Homme Double, 1997; Male Fantasies of Hitler: Confusing Gender and Identity: Roee Rosen's Live and Die as Eva Braun, 1995; Transforming Images into Symbols: Mischa Kuball's Hitler's Cabinet, 1990; The Conflation of Good and Evil: Piotr Uklanski's The Nazis, 1998; A Feminist Rejoinder to Uklanski's The Nazis: Elke Krystufek's Economical Love Series, 1998; Impersonating the Victim: Consorting with History: Alan Schechner's Barcode to Concentration Camp Morph, 1994, and It's the Real Thing--Self-Portrait at Buchenwald, 1993; Impossible Bedfellows: Adolf Hitler and Marcel Duchamp: Rudolf Herz's Zugzwang, 1995; The Villain Speaks the Victim's Language: Boaz Arad's Safam, 2000, and Marcel Marcel, 2000; Fascinating Fascism: Then or Now? Maciej Toporowicz's Eternity #14, 1991; Mirrors of Innocence and Violence: Alain Sechas's Enfants Gates, 1997; Toying with Terror: Zbigniew Libera's LEGO Concentration Camp Set, 1996; Fashioning Terror: Tom Sachs's Giftgas Giftset, 1998, and Prada Deathcamp, 1998; Staging Depravity, Mat Collishaw's Burnt Almonds (Gustav and Helga), 2000. Soft Cover 4to - over 9¾" - 12" tall Exhibition Catalogue

[SW: Movements::Post-Modernism Genre & Subject::Religious::Judaica Movements::Installation Art Movements::Protest Art American::7. Contemporary, 2000-]

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