Anamorphosis
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Schweickhardt sculpsit. ( Leonardus?): Le temps qui detruit tout , donne a tout l'existence. Des debris que tu vois, j'ai recu la naissance. Anamorphosis.
without year and publisher., ca., 1820. Engraving. 23.2 cm x 17.5 cm. (Image) some slight foldings, but in very good condition. The term anamorphosis (from ancient Greek: transformation) is used in art for the distortion of images or drawings in a regular and specified manner. This engraving is a so-called Anthromorphic anamorphosis by turning the image 90 degrees, it changes from a male human face into a mountain scenery. The engravings shows some ressemblence with the watercoloruing made by Matthäus Merian. Nekes ( Ich seh was...) p. 235. The engraver is probably Leonardus Schweickhardt.( Waller p. 296. Biographisch Woordenboek). 's Gravanheg 1783 - 's Gravenhage 1861. KEYWORDS: varia
McGill University Libraries: Anamorphosis: An Annotated Bibliography with Special Reference to Architectural Representation, Montreal McGill-Queen's University Press 1996
ISBN: 0-7735-1450-3 New
23cm, 152p, "This annotated bibliography includes all known existing sources on anamorphosis, starting with Leonardo da Vinci's Notebooks and culminating with works of the twentieth-century Avant-Garde, such as Marcel Duchamp." without dj, as issued hardcover
[SW: Architecture]
DOSSIER, Michel. Drawing complicated anamorphoses L'optique. (Paris, ca. 1725).
Fine print illustrating the drawing of a complicated anamorphosis print, which can only be viewed with the help of a special mirror, made after a painting by Allou. Michel Dossier, who was born at Paris in 1684 and died around 1750, was a French engraver who made a large number of fashionable engraved prints. The drawing and viewing of anamorphoses, especially slightly 'naughty' ones, had become highly 'en vogue' again in the early 18th century, mainly as a joyful pastime at a party or within a merry company. The poem underneath also puts the emphasis on the pure amusement of both the drawing and the viewing of anamorphoses prints.
Fine copy, kept within a passe-partout.
Not found recorded; cf. Le Blanc II, p. 140 (listing a number of other titles); Nouv. Biogr. Gen. 14, col. 666 (idem); Portalis-Bualdi I, p. 755 (idem); not in Thieme-Becker.
Fine engraved print showing a daughtswoman at a table, making a complicated anamorphosis drawing with a conic mirror for use to bring the drawing into the right perspective beside her, and with a 10-line poem underneath in two columns engraved on the plate.
[SW: Prints - 18th Century;Prints - Portraits]
David R. Castillo: (A)Wry Views: Anamorphosis, Cervantes, and the Early Picaresque (Purdue Studies in Romance Literatures, V. 23) ISBN: Hardcover
New
1 Brand New, Perfect Condition