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Verlag: Dover Publications, 1996
ISBN 10: 0486292142ISBN 13: 9780486292144
Buch
Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
Anbieter: John Windle Antiquarian Bookseller, ABAA, San Francisco, CA, USA
Erstausgabe
London: R. Noble, 1797. Large 4to, pp. 55/56, with a full-page engraving by Blake surrounding the letterpress text. A loose sheet, fore-edges untrimmed (some still with deckle), minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition, perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake, virtually in a frenzy, completed 537 watercolor designs when he was commissioned to illustrate Young's masterpiece. The publisher only issued the first four 'Nights'and had Blake engrave (and partially etch) 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically, today the poet Young, once compared with Shakespeare and Milton, is forgotten save for this edition. Bentley, Blake Books, 515. Essick and LaBelle, Night Thoughts, Dover, 1975. Ray, The Illustrator and the Book in England, 1790-1914, 3.
Anbieter: John Windle Antiquarian Bookseller, ABAA, San Francisco, CA, USA
Erstausgabe
London: R. Noble, 1797. Large 4to, pp. 85/86, with a full-page engraving by Blake surrounding the letterpress text. A loose sheet, fore-edges untrimmed (some still with deckle), minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition, perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake, virtually in a frenzy, completed 537 watercolor designs when he was commissioned to illustrate Young's masterpiece. The publisher only issued the first four 'Nights'and had Blake engrave (and partially etch) 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically, today the poet Young, once compared with Shakespeare and Milton, is forgotten save for this edition. Bentley, Blake Books, 515. Essick and LaBelle, Night Thoughts, Dover, 1975. Ray, The Illustrator and the Book in England, 1790-1914, 3.
Anbieter: John Windle Antiquarian Bookseller, ABAA, San Francisco, CA, USA
Erstausgabe
London: R. Noble, 1797. Large 4to, pp. 75/76, with a full-page engraving by Blake surrounding the letterpress text. A loose sheet, fore-edges untrimmed (some still with deckle), minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition, perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake, virtually in a frenzy, completed 537 watercolor designs when he was commissioned to illustrate Young's masterpiece. The publisher only issued the first four 'Nights'and had Blake engrave (and partially etch) 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically, today the poet Young, once compared with Shakespeare and Milton, is forgotten save for this edition. Bentley, Blake Books, 515. Essick and LaBelle, Night Thoughts, Dover, 1975. Ray, The Illustrator and the Book in England, 1790-1914, 3.
Anbieter: John Windle Antiquarian Bookseller, ABAA, San Francisco, CA, USA
Erstausgabe
London: R. Noble, 1797. Large 4to, pp. 89/90, with a full-page engraving by Blake surrounding the letterpress text. A loose sheet, fore-edges untrimmed (some still with deckle), minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition, perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake, virtually in a frenzy, completed 537 watercolor designs when he was commissioned to illustrate Young's masterpiece. The publisher only issued the first four 'Nights'and had Blake engrave (and partially etch) 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically, today the poet Young, once compared with Shakespeare and Milton, is forgotten save for this edition. Bentley, Blake Books, 515. Essick and LaBelle, Night Thoughts, Dover, 1975. Ray, The Illustrator and the Book in England, 1790-1914, 3.
Anbieter: John Windle Antiquarian Bookseller, ABAA, San Francisco, CA, USA
Erstausgabe
London: R. Noble, 1797. Large 4to, pp. 93/94, with a full-page engraving by Blake surrounding the letterpress text. A loose sheet, fore-edges untrimmed (some still with deckle), minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition, perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake, virtually in a frenzy, completed 537 watercolor designs when he was commissioned to illustrate Young's masterpiece. The publisher only issued the first four 'Nights'and had Blake engrave (and partially etch) 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically, today the poet Young, once compared with Shakespeare and Milton, is forgotten save for this edition. Bentley, Blake Books, 515. Essick and LaBelle, Night Thoughts, Dover, 1975. Ray, The Illustrator and the Book in England, 1790-1914, 3.
Anbieter: John Windle Antiquarian Bookseller, ABAA, San Francisco, CA, USA
Erstausgabe
London: R. Noble, 1797. Large 4to, pp. 27/28, with a full-page engraving by Blake surrounding the letterpress text. A loose sheet, fore-edges untrimmed (some still with deckle), minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition, perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake, virtually in a frenzy, completed 537 watercolor designs when he was commissioned to illustrate Young's masterpiece. The publisher only issued the first four 'Nights' and had Blake engrave (and partially etch) 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically, today the poet Young, once compared with Shakespeare and Milton, is forgotten save for this edition. Bentley, Blake Books, 515. Essick and LaBelle, Night Thoughts, Dover, 1975. Ray, The Illustrator and the Book in England, 1790-1914, 3.
Anbieter: John Windle Antiquarian Bookseller, ABAA, San Francisco, CA, USA
Erstausgabe
London: R. Noble, 1797. Large 4to, pp. 39/40, with a full-page engraving by Blake surrounding the letterpress text. A loose sheet, fore-edges untrimmed (some still with deckle), minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition, perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake, virtually in a frenzy, completed 537 watercolor designs when he was commissioned to illustrate Young's masterpiece. The publisher only issued the first four 'Nights' and had Blake engrave (and partially etch) 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically, today the poet Young, once compared with Shakespeare and Milton, is forgotten save for this edition. Bentley, Blake Books, 515. Essick and LaBelle, Night Thoughts, Dover, 1975. Ray, The Illustrator and the Book in England, 1790-1914, 3.
Anbieter: John Windle Antiquarian Bookseller, ABAA, San Francisco, CA, USA
Erstausgabe
London: R. Noble, 1797. Large 4to, pp. 69/70, with a full-page engraving by Blake surrounding the letterpress text. A loose sheet, fore-edges untrimmed (some still with deckle), minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition, perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake, virtually in a frenzy, completed 537 watercolor designs when he was commissioned to illustrate Young's masterpiece. The publisher only issued the first four 'Nights'and had Blake engrave (and partially etch) 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically, today the poet Young, once compared with Shakespeare and Milton, is forgotten save for this edition. Bentley, Blake Books, 515. Essick and LaBelle, Night Thoughts, Dover, 1975. Ray, The Illustrator and the Book in England, 1790-1914, 3.
Anbieter: John Windle Antiquarian Bookseller, ABAA, San Francisco, CA, USA
Erstausgabe
London: R. Noble, 1797. Large 4to, pp. 95/96, with a full-page engraving by Blake surrounding the letterpress text. A loose sheet, fore-edges untrimmed (some still with deckle), minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition, perfect for display or for teaching as the leaf is quite sturdy and can be carefully handled or matted for framing. Blake, virtually in a frenzy, completed 537 watercolor designs when he was commissioned to illustrate Young's masterpiece. The publisher only issued the first four 'Nights' and had Blake engrave (and partially etch) 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically, today the poet Young, once compared with Shakespeare and Milton, is forgotten save for this edition. Bentley, Blake Books, 515. Essick and LaBelle, Night Thoughts, Dover, 1975. Ray, The Illustrator and the Book in England, 1790-1914, 3.
Anbieter: John Windle Antiquarian Bookseller, ABAA, San Francisco, CA, USA
Erstausgabe
London: R. Noble, 1797. Large 4to, pp. 23/24 with 2 full-page engravings by Blake surrounding the letterpress text. A loose sheet, fore-edges untrimmed (some still with deckle), minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition, perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake, virtually in a frenzy, completed 537 watercolor designs when he was commissioned to illustrate Young's masterpiece. The publisher only issued the first four 'Nights'and had Blake engrave (and partially etch) 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically, today the poet Young, once compared with Shakespeare and Milton, is forgotten save for this edition. Bentley, Blake Books, 515. Essick and LaBelle, Night Thoughts, Dover, 1975. Ray, The Illustrator and the Book in England, 1790-1914, 3.
Anbieter: John Windle Antiquarian Bookseller, ABAA, San Francisco, CA, USA
Erstausgabe
London: R. Noble, 1797. Large 4to, pp. 15/16 with 2 full-page engravings by Blake surrounding the letterpress text. A loose sheet, fore-edges untrimmed (some still with deckle), minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition, perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake, virtually in a frenzy, completed 537 watercolor designs when he was commissioned to illustrate Young's masterpiece. The publisher only issued the first four 'Nights' and had Blake engrave (and partially etch) 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically, today the poet Young, once compared with Shakespeare and Milton, is forgotten save for this edition. Bentley, Blake Books, 515. Essick and LaBelle, Night Thoughts, Dover, 1975. Ray, The Illustrator and the Book in England, 1790-1914, 3.
Anbieter: John Windle Antiquarian Bookseller, ABAA, San Francisco, CA, USA
Erstausgabe
London: R. Noble, 1797. Large 4to, pp. 87/88 with 2 full-page engravings by Blake surrounding the letterpress text. A loose sheet, fore-edges untrimmed (some still with deckle), minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition, perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake, virtually in a frenzy, completed 537 watercolor designs when he was commissioned to illustrate Young's masterpiece. The publisher only issued the first four 'Nights'and had Blake engrave (and partially etch) 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically, today the poet Young, once compared with Shakespeare and Milton, is forgotten save for this edition. Bentley, Blake Books, 515. Essick and LaBelle, Night Thoughts, Dover, 1975. Ray, The Illustrator and the Book in England, 1790-1914, 3.
Anbieter: John Windle Antiquarian Bookseller, ABAA, San Francisco, CA, USA
Erstausgabe
London: R. Noble, 1797. Large 4to, viii, [1], 95, [2] pp. with 43 full-page engravings by Blake after his own designs surrounding the letterpress text. "Explanation" leaf bound in at the back. Half brown morocco, backstrip gilt, gilt top, by Riviere; a very large copy measuring 16 1/2 x 13 inches thus preserving almost all the imprints. A near fine copy with very occasional toning and offsetting; binding lightly worn. § First edition with Blake's illustrations, complete with the leaf of "Explanations." Essick and LaBelle explain in their commentary how Blake, virtually in a frenzy, completed 537 watercolor designs when he was commissioned by the publisher Edwards to illustrate Young's masterpiece. Edwards issued only the first four "Nights" (or sections) and had Blake etch and engrave 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake and Edwards ceased business shortly thereafter. Ironically, today the poet Young, once compared with Shakespeare and Milton, is largely forgotten save for this edition. Colored copies are known in two palettes, the earlier of which may have been colored under Blake's direction. Bentley, BB, 515. Easson and Essick, WBBI, Vol. I, IV. Essick and LaBelle, Night Thoughts, Dover, 1975. Bindman, Complete Graphic Works of Blake, 357-379. Ray, The Illustrator and the Book in England, 3.
Anbieter: John Windle Antiquarian Bookseller, ABAA, San Francisco, CA, USA
Erstausgabe
London: R. Noble, 1797. Large 4to, pp. 57/58, with a full-page engraving by Blake surrounding the letterpress text. A loose sheet, fore-edges untrimmed (some still with deckle), minimal trimming to top and bottom edges. § First edition, perfect for display or for teaching as the leaf is quite sturdy and can be carefully handled or matted for framing. The leaf is from from "Narcissa," the third night of Young's poem, and the illustration shows a party of drinkers under a looming figure clutching a spear.Blake, virtually in a frenzy, completed 537 watercolor designs when he was commissioned to illustrate Young's masterpiece. The publisher only issued the first four 'Nights' and had Blake engrave (and partially etch) 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically, today the poet Young, once compared with Shakespeare and Milton, is forgotten save for this edition. Bentley, Blake Books, 515. Essick and LaBelle, Night Thoughts, Dover, 1975. Ray, The Illustrator and the Book in England, 1790-1914, 3.
Verlag: London: The Folio Society, 2005
Anbieter: Bow Windows Bookshop (ABA, ILAB), Lewes, Vereinigtes Königreich
Three volumes - two volumes folio, the commentary 8vo. Folios bound in midnight blue goatskin over blue-grey silk boards, illustrated and with matching leather title labels to the upper covers, commentary bound in dark teal cloth, silver lettered to the spine with a blue-grey title panel to the upper cover, housed together in a dark blue cloth solander box with matching silver lettered leather title label to the spine. High quality colour reproductions of Blake's illustrations throughout the folio volumes. A few minor bumps to the case, a lovely example.