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Verlag: Hatje Cantz Publishers, 2006
ISBN 10: 3775716246ISBN 13: 9783775716246
Anbieter: Powell's Bookstores Chicago, ABAA, Chicago, IL, USA
Buch
Zustand: Used - Like New. Fine. Paperback. 2005. Originally published at $25.00.
Verlag: Hatje Cantz Publishers, 2006
ISBN 10: 3775716246ISBN 13: 9783775716246
Anbieter: medimops, Berlin, Deutschland
Buch
Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
Verlag: Ostfildern, Hatje Cantz, 2006
ISBN 10: 3775716246ISBN 13: 9783775716246
Buch Erstausgabe
Softcover. Zustand: Wie neu. Ohne Schutzumschlag. 1. Auflage. 132 pages with many coloured illustrations.
Verlag: Hatje Cantz Publishers, 2006
ISBN 10: 3775716246ISBN 13: 9783775716246
Anbieter: Kloof Booksellers & Scientia Verlag, Amsterdam, Niederlande
Buch
Zustand: very good. Ostfildern-Ruit : Hatje Cantz. Paperback, 132pp. 92 Abb, 90 farbig/in color. Catalogus Kunstverein in Hamburg, 16 april-3 juli 2005. German and English text. - Canadian video artist and photographer Mark Lewis (*1957) explores the visual language of the cinema and questions its conventions in his work. The London-based artist produces his films using actors and professional crews, but most of the films end abruptly after an average running time of four minutes-the length of one roll of film. The dimension of time also plays another significant role in Lewis's work: he often uses slow pans of landscapes and buildings, which develop a hypnotic suction effect upon the viewer. Algonquin Park, Early March is an example of a monochromatic, almost abstract tribute to the picturesque elements of the Canadian landscape. In contrast, Churchyard Row takes us on a journey through the architectural bleakness of a working-class neighborhood in London. Condition : very good copy. ISBN 9783775716246. Keywords : ART, video art.