Search preferences

Produktart

Zustand

Einband

Weitere Eigenschaften

Gratisversand

  • Versand nach USA gratis

Land des Verkäufers

Verkäuferbewertung

  • Bild des Verkäufers für War Memory and the Making of Modern Malaysia and Singapore. zum Verkauf von Asia Bookroom ANZAAB/ILAB

    BLACKBURN, KEVIN, AND KARL HACK.

    Verlag: NUS Press., Singapore., 2012

    ISBN 10: 9971695995ISBN 13: 9789971695996

    Anbieter: Asia Bookroom ANZAAB/ILAB, Canberra, ACT, Australien

    Verbandsmitglied: ANZAAB ILAB

    Bewertung: 5 Sterne, Learn more about seller ratings

    Verkäufer kontaktieren

    Buch

    Gebraucht - Softcover

    EUR 28,98

    Währung umrechnen
    EUR 16,07 Versand

    Von Australien nach USA

    Anzahl: 1

    In den Warenkorb

    Maps, colour and black and white photographic illustrations, xiv + 459 pages, index, bibliography, notes, paperback. Singapore fell to Japan on 15 February 1942. Within days, the Japanese had massacred thousands of Chinese civilians, and taken prisoner more than 100,000 British, Australian and Indian soldiers. A resistance movement formed in Malaya's jungle-covered mountains, but the vast majority could do little other than resign themselves to life under Japanese rule. The Occupation would last three and a half years, until the return of the British in September 1945. How is this period remembered? And how have individuals, communities, and states shaped and reshaped memories in the postwar era? The book response to these questions, presenting answers that use the words of Chinese, Malays, Indians, Eurasians, British and Australians who personally experienced the war years. The authors guide readers through many forms of memory: from the soaring pillars of Singapore's Civilian War Memorial, to traditional Chinese cemeteries in Malaysia; and from families left bereft by Japanese massacres, to the young women who flocked to the Japanese-sponsored Indian National Army, dreaming of a march on Delhi. This volume provides a forum for previously marginalized and self-censored voices, using the stories they relate to reflect on the nature of conflict and memory. They also offer a deeper understanding of the searing transit from wartime occupation to post-war decolonization and the moulding of postcolonial states and identities.