Verlag: Cambridge University Press, 2004
ISBN 10: 0521650682 ISBN 13: 9780521650687
Sprache: Englisch
Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes Königreich
EUR 27,81
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In den WarenkorbZustand: Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Verlag: Cambridge, Cambridge University Press., 2004
ISBN 10: 0521650682 ISBN 13: 9780521650687
Sprache: Englisch
Anbieter: Universitätsbuchhandlung Herta Hold GmbH, Berlin, Deutschland
1 online resource (572 p.) digital, PDF file(s). Hardcover. Versand aus Deutschland / We dispatch from Germany via Air Mail. Einband bestoßen, daher Mängelexemplar gestempelt, sonst sehr guter Zustand. Imperfect copy due to slightly bumped cover, apart from this in very good condition. Stamped. Sprache: Englisch.
Verlag: Cambridge University Press., New York., 2004
ISBN 10: 0521650682 ISBN 13: 9780521650687
Sprache: Englisch
Anbieter: Doss-Haus Books, Redondo Beach, CA, USA
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Hardcover 2004 edition. Text, boards and dust jacket in fine condition. Binding firm. Text free from markings and labels. (481 pages).
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 379,34
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In den WarenkorbHardcover. Zustand: Brand New. 481 pages. 9.25x6.25x1.25 inches. In Stock.
Verlag: Cambridge University Press, 2004
ISBN 10: 0521650682 ISBN 13: 9780521650687
Sprache: Englisch
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Volume 2 of The Cambridge History of British Theatre begins in 1660 with the restoration of King Charles II to the throne and the reestablishment of the professional theatre, interdicted since 1642, and follows the far-reaching development of the form over two centuries and more to 1895. Descriptions of the theatres, actors and actresses, acting companies, dramatists and dramatic genres over the period are augmented by accounts of the audiences, politics and morality, scenography, provincial theatre, theatrical legislation, the long-drawn-out competition of major and minor theatres, and the ultimate revocation of the theatrical monopoly of Drury Lane and Covent Garden, initiating a new era. Chapters on two representative years, 1776 and 1895, are complemented by chapters on two phenomenal productions, The Beggar's Opera and The Bells, as well as by studies of popular theatre, including music hall, sexuality on the Victorian stage and other social and cultural contexts.