Verlag: Cambridge University Press, 1986
ISBN 10: 052131223X ISBN 13: 9780521312233
Sprache: Englisch
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Used book that is in clean, average condition without any missing pages.
Verlag: Cambridge University Press, 1986
ISBN 10: 052131223X ISBN 13: 9780521312233
Sprache: Englisch
Anbieter: Visible Voice Books, Cleveland, OH, USA
Paperback. Zustand: Very Good. Cambridge University Press September 1986 Binding: Trade Paperback.
Verlag: Cambridge University Press, Cambridge, 1986
ISBN 10: 052131223X ISBN 13: 9780521312233
Sprache: Englisch
Anbieter: Object Relations IOBA PBFA, London, Vereinigtes Königreich
Erstausgabe
EUR 23,44
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In den WarenkorbSoft cover. Zustand: Very Good. 1st Edition. 1st thus (1986). 351pp. VG copy, pages tanned, small ink name to half-title.
Verlag: Cambridge University Press, 1986
ISBN 10: 052131223X ISBN 13: 9780521312233
Sprache: Englisch
Anbieter: Plurabelle Books Ltd, Cambridge, Vereinigtes Königreich
Verbandsmitglied: GIAQ
EUR 28,13
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In den WarenkorbPaperback. Zustand: Very Good. ix 351p large paperback, turquoise cover, very good condition, minimal wear, covers lightly sunned, pages clear and bright, very good copy of uncommon title Language: English.
Verlag: Cambridge University Press, 1986
ISBN 10: 052131223X ISBN 13: 9780521312233
Sprache: Englisch
Anbieter: JuddSt.Pancras, London, Vereinigtes Königreich
Verbandsmitglied: PBFA
EUR 21,10
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In den WarenkorbSoft cover. Zustand: As New.
Verlag: Cambridge University Press, 1986
ISBN 10: 052131223X ISBN 13: 9780521312233
Sprache: Englisch
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Previous studies of African poetry have tended to concentrate either on its political content or on its relationship to various European schools. This book examines West African poetry in English and French against the background of oral poetry in the vernacular. Do the roots of such poetry lie in Africa or in Europe In committing their work to writing, do poets lose more than they gain Can the immediacy of oral performance ever be recovered Robert Fraser's account of two centuries of West African verse examines its subjugation to a succession of international styles: from the heroic couplet to the austerity of experimental Modernism. Successive chapters take us through the N gritude movement and the emergence of anglophone free verse in the 1950s to the rediscovery in recent years of the neglected springs of orality, which is the subject of the concluding chapter.