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Heavy Water and Other Stories

Amis, Martin

Verlag: Harmony Books, New York, 1999
ISBN 10: 0609601296 / ISBN 13: 9780609601297
Gebraucht / Hardcover / Anzahl: 1
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Titel: Heavy Water and Other Stories

Verlag: Harmony Books, New York

Erscheinungsdatum: 1999

Einband: Hardcover

Zustand: Very Good

Zustand des Schutzumschlags: Good

Art des Buches: Used

Beschreibung:

Hardcover. First American edition, first printing. Few superficial marks on dust jacket. Very small loss of laminate on front jacket. Spine ends are very slightly worn. Hardcover spine ends are a little bumped. Binding is tight, contents are clean and clear throughout. AM. Buchnummer des Verkäufers 289030

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Inhaltsangabe: Nine dazzling stories from the critically acclaimed and best-selling author of Night Train, London Fields, and Money, Heavy Water and Other Stories is a literal landscape of Martin Amis's unique and alluring fiction.
        
Once you enter Amis's disorienting and hilarious world, you'll never be the same. Every poem will remind you of "Career Move," a story in which poets are flown first-class to Hollywood in order to take meetings with sandal-shod producers, to review sales in the millions, while screenwriters struggle in near-oblivion for publication in obscure, unread journals. Never again will you consider communication with extraterrestial life-forms without conjuring apocalyptic images of evil from "The Janitor on Mars." Witness the world of "Straight Fiction," where everyone is gay except the beleaguered straight community, and our country's "don't ask, don't tell" policy evokes images of Amis's inverted, and outrageous, vision.
        
From "Denton's Death," first published in 1975, to "What Happened to Me on My Holiday," published in 1997, Heavy Water and Other Stories is the most engaging and complete overview of Martin Amis's short fiction available today.

Rezension: This collection of stories spans a period from 1975 to 1997, and is a good reflection of the range of Amis's writing. That writing is always skilful, and consistently seductive-- sometimes irritatingly so. Amis lures his reader into an intense interest in his characters, and then, in some unsettling way, encourages us to patronise or disparage them. It's an odd strategy, but it holds our attention. By making us uncomfortable about our own less admirable attitudes, Amis focuses us intently on his story line.

In "Coincidence of the Arts", Amis's targets are both the feckless painter Sir Rodney Peel, and the black doorman of his building and aspiring novelist Pharsin Courier, who turns to Peel for artistic encouragement. When Peel embarks on a curious sexual affair with a black waitress, it is sheer coincidence that she should turn out to be Pharsin's wife. The consequences reflect well on neither Peel nor Pharsin. In "State of England", we smirk knowingly at Big Mal, a bullshitting East Ender trying to sort out his life at his small son's sports day, but are nevertheless compelled to find out what will become of him. Familiar stories about obsessive bad sex like "Let Me Count the Times", have not stood the test of time, and Amis writes far too often about literary agents, aspiring novelists and spoilt bestsellers who surely only interest an inner coterie. Still, when he is on form, this is the short story at its best. --Lisa Jardine

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