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Form, color, illumination : Suzan Frecon painting.

Frecon, Suzan.

ISBN 10: 0300125526 / ISBN 13: 9780300125528
Gebraucht / Hardcover / Anzahl: 1
Verkäufer Kloof Booksellers & Scientia Verlag (Amsterdam, Niederlande)
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Titel: Form, color, illumination : Suzan Frecon ...

Einband: Hardcover

Zustand des Schutzumschlags: Dust Jacket Included

Beschreibung:

Edited by Josef Helfenstein & Matthias Frehner. New Haven : Yale University Press, 2008. Orig. cloth binding. Dustjacket. 112 pp. : Illustrations. 30 cm. Condition : as new. - This publication is the first major exploration of the works of American abstract painter and watercolorist Suzan Frecon (b. 1941), critically acclaimed for her sensitive arrangement of color, form, and texture and for the philosophical resonance of her art. By restricting herself to nonrepresentational forms, earth-based colors, and, in the case of her watercolors, "found" pieces of paper, Frecon achieves an unequaled sense of balance and openness in her work. The book features ten oil paintings and thirty watercolors dating from the late 1990s to 2007. Catalog of an exhibition held at the Menil Collection, Houston, Mar. 6-May 11, 2008 and Kunstmuseum Bern, June 11-Sept. 28, 2008. Condition : als nieuw. ISBN 9780300125528[KEYWORDS: ART, *. Buchnummer des Verkäufers 241080

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Inhaltsangabe:

This is the first major exploration of the works of American abstract painter and watercolorist Suzan Frecon (b. 1941), critically acclaimed for her sensitive arrangement of color, form, and texture, and for the philosophical resonance of her art. By restricting herself to nonrepresentational forms, earth-based colors, and, in the case of her watercolors, “found? pieces of paper, Frecon achieves an unequaled sense of balance and openness in her work. The book features ten oil paintings and thirty watercolors dating from the late 1990s to 2007. 

 

form, color, illumination celebrates the uniqueness of Frecon's painting and articulates how her work distinguishes itself within the history of abstract painting. The authors describe in-depth how her artistic process and materials are an integral part of her focus and aesthetic. Included is an essay revealing the "ethics? of her aesthetics––an argument for abstraction and an attention to truth that is not divorced from social and environmental concerns.

Über den Autor:

Josef Helfenstein is director of The Menil Collection, Houston. Matthias Frehner is director of the Kunstmuseum Bern.

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