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Einband: Soft cover
Auflage: 1st Edition.
274 Pages With The Index, In Fine Condition With No Remarks Or Highlights. Paperback.Large Heavy Books May Need More Payment For Overseas Delivery. Buchnummer des Verkäufers 034583
"An image is powerful not necessarily because of anything specific it offers the viewer, but because of everything it apparently also takes away from the viewer."
--Trinh T. Minh-ha
Vietnamese filmmaker and feminist thinker Trinh T. Minh-ha is one of the most powerful and articulate voices in independent filmmaking. In her writings and interviews, as well as in her filmscripts, Trinh explores what she describes as the "infinite relation" of word to image. Cinema-Interval brings together her recent conversations on film and art, life and theory, with Homi Bhabha, Deb Verhoeven, Annamaria Morelli and other critics. Together these interviews offer the richest presentation of this extraordinary artist's ideas.
Extensively illustrated in color and black and white, Cinema-Interval covers a wide range of issues, many of them concerning "the space between"--between viewer and film, image and text, interviewer and interviewee, lover and beloved. As an added bonus, the complete scripts of Trinh's films Surname Viet Given Name Nam and A Tale of Love are also included in the volume.
Cinema-Interval will be an essential work for readers interested in contemporary film art, feminist thought, and postcolonial studies.
Rezension: 'Anderson's book is a brilliant exposition of Franco's social cleansing, focused on a case study.' - Jose M. Faraldo, Universidad Complutense de Madrid 'This book, taken as a whole, and even though it does not explain military repression in Franco's Spain, is an invaluable work, one that must be consulted for any study of the issue. Anderson offers new venues and analysis that would certainly improve our understanding of the problem.' - Antonio Cazorla-Sanchez, Trent University
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