This book investigates the fascinating and important work of the British group Radiohead, named by Time Magazine among its Top 100 Most Influential People of 2008, and focuses particularly on their landmark recording OK Computer (1997). Probing the band's exploration of the crucial issues surrounding contemporary technological development, especially as it relates to the concern of human survival, Radiohead and the Global Movement for Change is essentially a work of criticism that in its analysis combines what is known as 'musical hermeneutics' with the media ecology perspective.
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Radiohead provides both an ideal subject and context for this tour de force demonstration of the power of media ecology. By treating the band's activity as both 'figure' and 'ground', Phil Rose redefines activism in terms of its environmental effects, and initiates a new and highly accessible conversation about technology as moral philosophy. -- Douglas Rushkoff, Professor of Media Theory and Digital Economics at CUNY/Queens; author of Present Shock: When Everything Happens Now as well as a dozen other bestselling books on media, technology, and culture Radiohead and the Global Movement for Change: "Pragmatism Not Idealism" uses media ecology in conjunction with Silvan Tomkins' theory of affect as frameworks through which to discuss the concept album OK Computer by Radiohead. In the process, Dr. Rose exposes and critiques the cultural conditions of the late 20th century, which Neil Postman adroitly refers to as technopoly, analyzing Radiohead's interrogation of the multiple contradictions inherent in the world in which OK Computer was created. The resulting work is masterfully written and makes significant contributions to the fields of popular music studies, media ecology, ethnomusicology and cultural studies. -- Rob Bowman, Associate Professor of Ethnomusicology, York University; Grammy Award winner and founder of popular music studies in Canada One doesn't need to be a student of Radiohead to appreciate what Phil Rose has achieved in this volume. He applies media ecological principles to music criticism and shows how exploring the ways in which new technologies have both positive and negative consequences can give us the awareness we need to bring about positive social change. -- Joshua Meyrowitz, Professor of Media Studies, University of New Hampshire, author of No Sense of Place: The Impact of Electronic Media on Social Behavior In this thought provoking and very timely book, Phil Rose has crafted a challenging, thoughtful think piece about life, technology and activism. Rose starts by asking, "How does one critically reflect upon the inexpressible?" and answers the question through the lens of media ecology, allusions to art criticism and affect-script theory...In methodologically deconstructing Radiohead's Ok Computer, Rose asks for nothing less than a reexamination of what it means to be human in a technopoly that embraces technological dehumanization as a means to an end... -- Brian Cogan, Ph.D, Associate Professor Communications Dept., Molloy College, author of The Encyclopedia of Heavy Metal Music and The Encyclopedia of PunkÜber den Autor:
Phil Rose is current president of the Media Ecology Association and author of Roger Waters and Pink Floyd: The Concept Albums.
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Buchbeschreibung Fairleigh Dickinson University Press Dez 2015, 2015. Buch. Buchzustand: Neu. 162x237x28 mm. Neuware - 258 pp. Englisch. Artikel-Nr. 9781611478600