10 THOUSAND THINGS - Softcover

[Combines] the delicacy of an old Chinese landscape painting with the brutality of Chinese history . . . The narrative resounds with the vivid detail and the ever-changing tides of war and politics, art and nature.

One of the greatest pleasures of this novel is seeing fourteenth-century China come vibrantly alive. The countryside is painted in rich evocative detail and readers will be completely transported . . . It is striking that a novel set hundreds of years ago in China can have lessons that resonate even in our times . . . The beauty of John Spurling's novel is that it is at once an incredibly detailed story and a sweeping view of the times . . . The Ten Thousand Things is not unlike a beautiful Wang Meng landscape painting--full of intricate gorgeous details that together coalesce into one stunning work of art.

In this immersive tale of a landscape artist's life, written with restrained lyricism, John Spurling has also given us an entertaining and insightful study about the art of Nature, and the nature of Art.--Tan Twan Eng

"In the turbulent final years of the Yuan Dynasty, Wang Meng is a low-level bureaucrat, employed by the government of Mongol conquerors established by the Kublai Khan. Though he wonders about his own complicity wit this regime-the Mongols, after all, areinvaders-he prefers not to dwell on his official duties, choosing instead to live the life of the mind. Wang is an extraordinarily gifted artist. His paintings are at once delicate and confident; in them, one can see the wind blowing through the trees, the water rushing through rocky valleys, the infinite expanse of China's natural beauty. But this is not a time for sitting still, and as The Ten Thousand Things unfolds, we follow Wang as he travels through an empire in turmoil. In his wanderings, he encounters, among many memorable characters, other master painters of the period, including the austere eccentric Ni Zan, a fierce female warrior known as the White Tigress who will recruit him as a military strategist, and an ugly young Buddhist monk who rises from beggary to extraordinary heights. The Ten Thousand Things is rich with exquisite observations, and John Spurling endows every description-every detail-with the precision and depth that the real-life Wang Meng brought to his painting. But it is also a novel of fated meetings, grand battles, and riveting drama, and in its seamless fusion of the epic and the intimate, it achieves a truly singular beauty. A novel that deserves to be compared to the classic Chinese novels that inspired it, The Ten Thousand Things is nothing short of a literary event"--