Anthology for Musical Analysis: The Common-Practice Period - Softcover

PREFACE. Part I: BAROQUE COMPOSITIONS. 1. Introduction. 2. Claudio Monteverdi, 1567-1643. Cruda Amarilli (madrigal). 3. Giacomo Carissimi, 1605-1674. The Daughter's Lament from Jephte. 4. Arcangelo Corelli, 1653-1713. Adagio and Allegro from Violin Sonata, Op. 5, No. 1. Allemanda from Trio Sonata, Op. 4, No. 11. 5. Henry Purcell, ca. 1659-1695. Dido's Lament from Dido and Aeneas. 6. Johann Caspar Ferdinand Fischer, ca. 1665-1746. Prelude and Fugue No. 6 in E Phrygian from Ariadne musica. 7. Francois Couperin, 1668-1733. Les moissonneurs from Pieces de clavecin, Ordre VI. 8. Notebook for Anna Magdalena Bach (1725). Four Pieces: March. Minuet. Aria. Polonaise. 9. George Frideric Handel, 1685-1759. Concerto Grosso in B Minor, Op. 6, No. 12 (score). Largo. Allegro. Chaconne in G Major. Recitative: "Thy rebuke hath broken his heart" from Messiah. Aria: "Where'er you walk" from Semele. 10. Johann Sebastian Bach, 1685-1750. Allemande from French Suite No. 6 in E Major. Gavottes I and II from English Suite No. 3 in G Minor. Bourrees I and II from Suite No. 3 in C Major for Violoncello Solo. Sarabande and Double from Partita No. 1 in B Minor for Violin Solo. Chaconne from Partita No. 2 in D minor for Violin Solo. Two Inventions: No. 4 in D Minor. No. 12 in A Major. Preludes and Fugues from The Well-Tempered Clavier from Book I: Prelude 1 in C Major. Fugue 2 in C Minor. Fugue 11 in F Major. Fugue 16 in G Minor. From Book II: Fugue 16 in G Minor. Contrapunctus VII from The Art of Fugue. Four Canons from The Musical Offering. Crucifixus from Mass in B Minor. O Gott, du frommer Gott (chorale variation). Three Chorale Preludes: Gott, durch deine Gute. Durch Adams Fall ist ganz verderbt. Wachet auf, ruft uns die Stimme. 11. Domenico Scarlatti, 1685-1757. Sonata in D Major, K. 96 (Longo 465). Part II: CLASSICAL COMPOSITIONS. 12. Introduction. 13. Joseph Haydn, 1732-1809. Piano Sonata No. 36 in C-sharp Minor, first movement. Piano Sonata No. 37 in D Major, third movement. Piano Sonata No. 3 in C Major, third movement. String Quartet in G Minor, Op. 74, No. 3, second movement. Symphony No. 101 in D Major (score). Third movement. Fourth movement. 14. Muzio Clementi, 1752-1832. Sonatina in G Major, Op. 36, No. 2, first movement. 15. Wolfgang Amadeus Mozart, 1756-1791. Theme with Variations from Piano Sonata in D Major, K. 284. Piano Sonata in B flat Major, K. 333. Allegro. Andante cantabile. Allegretto grazioso. Sonata for Piano and Violin in B-flat Major, K. 378, first movement. Menuet and Trio from Serenade in C Minor, K. 388 (score). Fantasia in C Minor, K. 475. "La ci darem la mano" from Don Giovanni, K. 527. The Bird-Catcher's Song from The Magic Flute, K. 620. Clarinet Concerto in A Major, K. 622, first movement (score). Kyrie from Requiem, K. 626. 16. Ludwig van Beethoven, 1770-1827. Piano Sonata No. 1 in F Minor, Op. 2, No. 1. First movement. Third movement. Piano Sonata No. 4 in E-flat Major, Op. 7, second movement. Piano Sonata No. 5 in C Minor, Op. 10, No. 1, second movement. Piano Sonata No. 8 in C Minor, Op. 13 ("Pathetique"). Grave. Allegro di molto e con brio. Adagio cantabile. Allegro. Piano Sonata No. 9 in E Major, Op. 14, No. 1, second movement. Piano Sonata No. 15 in D Major, Op. 28, third movement. Piano Sonata No. 21 in C Major ("Waldstein"), Op. 53, first movement. String Quartet in F Minor, Op. 95 ("Serioso"), first movement. Piano Sonata No. 30 in E Major, Op. 109, first movement. Part III: ROMANTIC COMPOSITIONS. 17. Introduction. 18. Carl Friedrich Zelter, 1758-1832. "Der Konig in Thule". 19. Franz Schubert, 1797-1828. Four Lieder. "Erster Verlus". "Thranenregen" from Die schone Mullerin. "Der Doppelganger" from Schwanengesang. "Erlkonig". Two Piano Pieces: Waltz in A flat Major, Op. 9, No. 2. Moment Musical No. 6, from Sechs Moments musicaux, Op. 94. 20. Fanny Mendelssohn Hensel, 1805-1847. "O Herbst" (chorus). 21. Felix Mendelssohn, 1809-1847. Song without Words, Op. 19b, No. 1. 22. Robert Schumann, 1810-1856. Two Pieces from Phantasiestucke, Op. 12: Des Abends (Of the Evening). Warum? (Why?). "Ich grolle nicht" from Dichterliebe, Op. 48. Six Pieces from Album for the Young, Op. 68: 1--Melodie (Melody). 3--Trallerliedchen (Humming Song). 6--Armes Waisenkind (Poor Orphan Child). 8--Wilder Reiter (Wild Rider). 14--Kleine Studie (Little Etude). 17--Kleiner Morgenwanderer (Little Morning Wanderer). 23. Frederic Chopin, 1810-1849. Six Preludes from Op. 28: No. 1 in C Major. No. 4 in E Minor. No. 6 in B Minor. No. 9 in E Major. No. 17 in A-flat Major. No. 20 in C Minor. Four Mazurkas: No. 5 in B-flat Major, Op. 7, No. 1. No. 6 in A Minor, Op. 7, No. 2. No. 37 in A-flat Major, Op. 59, No. 2. No. 49 in F Minor, Op. posth. 68, No. 4. Nocturne in D-flat Major, Op. 27, No. 2. 24. Richard Wagner, 1813-1883. Prelude to Act I from Tristan und Isolde. 25. Giuseppe Verdi, 1813-1901. "Quel vecchio maledivami!" (duet) from Rigoletto. 26. Clara Schumann, 1819-1896. Andante espressivo, No. 3 of Quatre pieces fugitives, Op. 15. 27. Cesar Franck, 1822-1890. Moderato from Chorale No. 1 in E Major for organ. 28. Johannes Brahms, 1833-1897. "Wie Melodien zieht es mir," Op. 105, No. 1. Four Waltzes from Op. 39: No. 1. No. 2. No. 9. No. 10. Two Intermezzos: Intermezzo in A Minor, Op. 76, No. 7. Intermezzo in A Major, Op. 118, No. 2. Sonata in F Minor for Clarinet and Piano, Op. 120, No. 1, first movement. 29. Gabriel Faure, 1845-1924. "Prison," Op. 83, No. 1. 30. Hugo Wolf, 1860-1903. Two Songs: "Das verlassene Magdlein". "In der Fruhe". 31. Gustav Mahler, 1860-1911. Adagietto from Symphony No. 5 (score). 32. Claude Debussy, 1862-1918. Prelude a "L'Apres-midi d'un faune". 33. Richard Strauss, 1864-1949. "Ruhe, meine Seele," Op. 27, No. 1. 34. Amy Beach, 1867-1944. "Dark is the Night," No. 1 of Three Songs, Op. 11. 35. Arnold Schoenberg, 1874-1951. "Traumleben," No. 1 of Acht Lieder, Op. 6. Appendix A: MOSTLY CHORALE HARMONIZATIONS. (by J. S. Bach unless otherwise indicated). 36. Introduction. 37. Ach Gott Und Herr. a) Christoph Peter (figured bass). b) J. S. Bach. c) J. S. Bach. Ach, wie fluchtig, ach wie nichtig. Aus tiefer Not schrei ich zu dir. a) Hans Leo Hassler. b) J. S. Bach. Christ lag in Todesbanden. Ein feste Burg ist unser Gott. a) Hans Leo Hassler. b) J. S. Bach. Es ist ein' Ros' gesprungen. Michael Praetorius. Freuet euch, ihr Christen alle. Herr Gott, dich loben alle wir. a) Michael Praetorius. b) J. S. Bach. Herzliebster Jesu. a) Johann Cruger (figured bass). b) J. S. Bach. Jesu, Jesu, du bist mein (figured bass). Jesu, meine Freude Komm, Gott Schopfer, heiliger Geist. O Haupt voll Blut und Wunden. a) "Mein Gmuth ist mir verwirret," Hans Leo Hassler. b) J. S. Bach. O Mensch, bewein' dein' Sunde gross. So gehst du nun, mein Jesu hin (figured bass). So gibst du nun, mein Jesu, gute Nacht (figured bass). Valet will ich dir geben. A Note on the Sources. Translations of Foreign Terms. Complete Short Pieces Suitable for First- and Second-Year Courses. General Index. Index of Chords, Sequences, and Modulations.

A landmark collection of 141 complete musical compositions and movements from the common-practice period, ANTHOLOGY FOR MUSICAL ANALYSIS: THE COMMON-PRACTICE PERIOD offers learners of music theory a wealth of illustrations of chords, voice-leading techniques, and forms.