Edward Weston: The Last Years in Carmel - Hardcover

9780865591929: Edward Weston: The Last Years in Carmel
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This book appears in conjunction with an exhibition organized by The Art Institute of Chicago that focuses on the late work of photographer Edward Weston. Taken between1938 and 1948, these images reveal 6his shift from his formalist style, characterized by technological virtuosity and innovative compositions, to one that accommodated a greater psychological component. The first photographs of this period date from Weston's return to his spiritual home near Carmel, California, during his second Guggenheim fellowship. He now saw the surrounding coast with different eyes: while he had once focused on details and still lifes, he now found himself drawn to vistas, horizons, the movement of water, and moody atmospheres of elemental power. The seventy-plus photographs in this book, sumptuously printed in tritone reproductions, include--in addition to his images of nature--Weston's powerful portraits of his immediate family, as well as domestic scenes taken in and around his home. Also included is a critical essay exploring Weston's life and work during this period, by David Travis, Curator of Photography at the Art Institute and a longtime specialist in the career of Edward Weston. Hardcover, 10.5 x 11.5 inches, 144 pages, 100 tritone illustrations. Exhibition Schedule: Art Institute of Chicago, June-October 2001; San Francisco Museum of Modern Art, March-June 2002.\nXSLIB 2 D. Fotografa.

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Between 1938 and 1948, Edward Weston took the last photographs of his distinguished career. In 1938 he returned to scenic Carmel, California, after a twenty-five-thousand-mile, two-year journey through the American West on Guggenheim fellowships. He and his young wife, Charis, built a pine-wood home and studio overlooking the Pacific and only one mile from Point Lobos, the unspoiled headland that, over the years, had become the artist's favorite site for testing ideas and finding new approaches to advance his art. But in the decade following his return to Carmel, Weston photographed Point Lobos and the Big Sur with different eyes. Where he had previously focused on details and still lifes, he now found himself drawn to horizons, vistas, and moody atmospheres.
Photographs of this late period reveal a greater psychological component than do the more formalist images that preceded them. Weston's work became both a release and receptacle, as he battled with Parkinson's disease, experienced a failing marriage, and saw his sons leave for military service during World War II. No longer the brash adventurer nor satisfied with technical virtuosity and innovative composition, Weston, in a more somber state of mind, drew out the elemental power of his coastal environment. These landscapes - many previously unpublished - show us a new aspect of Weston's artistry and will surprise even those most familiar with his work. Touching portraits of Weston's family and domestic scenes in and around his home - all from this late period - have also been included here by curator and author David Travis, to give readers an in-depth view of the man behind the camera in the final years of his career.
This late body of work has never before been extensively researched or exhibited, in part because it is so markedly different from the earlier images that made Weston famous. The majority of the seventy-six photographs featured in this book is drawn from private and public collections, but most especially those of The Art Institute of Chicago and the University of California at Santa Cruz.

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  • VerlagArt Institute of Chicago
  • Erscheinungsdatum2001
  • ISBN 10 086559192X
  • ISBN 13 9780865591929
  • EinbandTapa dura
  • Anzahl der Seiten144
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Weston, Edward
ISBN 10: 086559192X ISBN 13: 9780865591929
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