Harlequin Unmasked: The Commedia Dell'arte and Porcelain Sculpture - Hardcover

9780300090093: Harlequin Unmasked: The Commedia Dell'arte and Porcelain Sculpture
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Physical description; xv, 368 pages : illustrations (some color) ; 31 cm. Summary; The commedia dell'arte began in Italy as irreverent, improvised street theatre and is best known for its exuberant characters, specifically Harlequin, Pantalone, Pulcinella, Scaramouche, and Colombine, among others. Since the sixteenth century, these personalities have inspired paintings, engravings, and porcelain sculptures. Encompassing theatre, court culture, masquerades, and the decorative arts, this splendidly illustrated and engaging book offers original perspectives on porcelain commedia figures while also making an important contribution to the study of the commedia dell'arte. The volume focuses on nearly 150 porcelain sculptures as it tells the story of the commedia dell'arte's transformation into sculpture. Why were the figures made? Why do they appear as they do? What inspired their gestures and costumes? How did street-theatre themes become integrated into court life and entertainment? Examining these delightful porcelain figures in greater breadth and detail than ever before, this book is essential for those interested in theatre, painting, costume, and the decorative arts. This catalogue accompanies an exhibition at the Gardiner Museum of Ceramic Art, Toronto, from 21st September 2001 to 20th January 2002. Subjects; George R. Gardiner. Museum of Ceramic Art - Catalogs. Porcelain figures - Catalogs. Porcelain - 18th century - Catalogs. Commedia dell'arte in art - Catalogs.

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The commedia dell'arte began in Italy as irreverent, improvised street theatre and is best known for its exuberant characters, specifically Harlequin, Pantalone, Pulcinella, Scaramouche, and Colombine, among others. Since the sixteenth century, these personalities have inspired paintings, engravings, and porcelain sculptures. Encompassing theatre, court culture, masquerades, and the decorative arts, this splendidly illustrated and engaging book offers original perspectives on porcelain commedia figures while also making an important contribution to the study of the commedia dell'arte. The volume focuses on nearly 150 porcelain sculptures as it tells the story of the commedia dell'arte's transformation into sculpture. Why were the figures made? Why do they appear as they do? What inspired their gestures and costumes? How did street-theatre themes become integrated into court life and entertainment? Examining these delightful porcelain figures in greater breadth and detail than ever before, this book is essential for those interested in theatre, painting, costume, and the decorative arts. This catalogue accompanies an exhibition at the Gardiner Museum of Ceramic Art, Toronto, from 21st September 2001 to 20th January 2002.

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  • VerlagYale University Press
  • Erscheinungsdatum2001
  • ISBN 10 0300090099
  • ISBN 13 9780300090093
  • EinbandTapa dura
  • Auflage1
  • Anzahl der Seiten376

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CHILTON, Meredith
ISBN 10: 0300090099 ISBN 13: 9780300090093
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Buchbeschreibung Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 368 p. 32 cm. 300 colour plates and 300 b&w illustrations. Purple cloth hardcover in mylar-covered pictorial dustjacket. Inscribed by author on title page. Artikel-Nr. 136530

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ISBN 10: 0300090099 ISBN 13: 9780300090093
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Buchbeschreibung Paperback. Zustand: Very Good. The commedia dell'arte began in Italy as irreverent, improvised street theatre and is best known for its exuberant characters, specifically Harlequin, Pantalone, Pulcinella, Scaramouche, and Colombine, among others. Since the sixteenth century, these personalities have inspired paintings, engravings, and porcelain sculptures. Encompassing theatre, court culture, masquerades, and the decorative arts, this splendidly illustrated and engaging book offers original perspectives on porcelain commedia figures while also making an important contribution to the study of the commedia dell'arte. The volume focuses on nearly 150 porcelain sculptures as it tells the story of the commedia dell'arte's transformation into sculpture. Why were the figures made? Why do they appear as they do? What inspired their gestures and costumes? How did street-theatre themes become integrated into court life and entertainment? Examining these delightful porcelain figures in greater breadth and detail than ever before, this book is essential for those interested in theatre, painting, costume, and the decorative arts. This catalogue accompanies an exhibition at the Gardiner Museum of Ceramic Art, Toronto, from 21st September 2001 to 20th January 2002. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Artikel-Nr. GOR009953408

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ISBN 10: 0300090099 ISBN 13: 9780300090093
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Buchbeschreibung Zustand: Sehr gut. Erstauflage. First publication. Bll. + 368 S. inkl. Anhang u. mit s/w. (Graphiken, Fotos d. Bestandskatalog) u. vielen farb. Abbildungen (meistens v. Harlequins, Personnages.). * mit George R. Gardiner Museum of Ceramic Art. Sprache: Englisch Gewicht in Gramm: 2420 Gr.-4°, O(Violet)-GanzLnw. mit Silbergepr.-Rückentitel u. OIll.-Umschlag. Sehr gut erhalten. Artikel-Nr. 25102

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ISBN 10: 0300090099 ISBN 13: 9780300090093
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Buchbeschreibung Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 366 pp, illustrated in colour and b/w. Still shrinkwrapped 0300090099 4to. Artikel-Nr. 42478

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