'Peculiar, subtle, affecting and humane... It is a vertiginous, swooping vision that can lay London out like a body... It is all tremendous fun, and sometimes much more than that. Self has always had a blunt brilliance... These stories are busy with stylistic experiment, high-concept in-jokes, verbal impasto and flights of fancy which test the limits of narrative' - Justine Jordan, Guardian 'These tales are highly chthonic' - Nicholas Blincoe, Daily Telegraph 'This is what Self does best: snap-shots of decline and high-concept satires of the 'slapstick of addiction" - Ed King, Daily Telegraph 'Will Self is rightly admired for the sheer energy of his writing, his pyrotechnic wit and wordplay, and his willingness to experiment with genre and narrative... He is undoubtedly one of contemporary literature's showmen' - Peter Parker, Sunday Times 'All of Self's hallmarks are in place here: a prose style that scuds from the slangy to the hypertrophic and back; a keen sense of place; a sharp satirist's eye coldly cast on fashionable London; and a fondness for what might be called the High Concept' - Keith Miller, Times Literary Supplement '...satire so vicious it makes Charlie Brooker look restrained' - John O'Connell, Time Out '...no one can revel in the disease and decay of humanity like Will Self' - Ben East, Metro "Leberknodel" is the best fictional writing on Zurich since Kim Stanley Robinson's story named after the city' - Nicholas Royle, Independent 'As the literary equivalent of Francis Bacon, Will Self continually challenges readers with biological overload... Stepping into Self's world is like opening one of the Wellcome Institute's cabinets of medical curiosities... What counts most throughout is Self's enthralling, muscular and sometimes even joyous use of language. His writing propels one of the greatest arguments for freedom of speech that I can think of; you may not like his subject matter but his obsidian brilliance is incontrovertible, shocking and humane' - Christopher Fowler, IndependentVom Verlag:
"Liver" - Booker prize nominee Will Self's extraordinary examination of lives out of control. "Magnificent, horribly funny". ("The Times"). "Brilliant. One of the most manically imaginative writers at work today". ("Financial Times"). "This is what Self does best: snap-shots of decline and high-concept satires of the "slapstick of addiction"". ("Sunday Telegraph"). "The best work of Self's I've read". ("Literary Review"). From Will Self, the Booker shortlisted author of "Umbrella" and the pre-eminent chronicler of our neuroses and our times, "Liver" is a moving, hilarious and scabrous collection of stories about egos, appetites and addictions. It will be adored by readers of Martin Amis, Irvine Welsh and David Mitchell. "Peculiar, subtle, affecting, humane ...busy with stylistic experiment, high-concept in-jokes, verbal impasto and flights of fancy. Tremendous fun". ("Guardian"). "No one can revel in the disease and decay of humanity like Self". ("Metro"). "Self is a superb stylist and the laureate of substance abuse, and these hepatic rhapsodies contain some of his most inventive writing". ("The Times"). Will Self is the author of nine novels including "Cock and Bull"; "My Idea of Fun"; "Great Apes"; "How the Dead Live"; "Dorian, an Imitation"; "The Book of Dave"; "The Butt"; "Walking to Hollywood" and "Umbrella", which was shortlisted for the Man Booker Prize. He has written five collections of shorter fiction and three novellas: "The Quantity Theory of Insanity"; "Grey Area"; "License to Hug"; "The Sweet Smell of Psychosis"; "Design Faults in the Volvo 760 Turbo"; "Tough, Tough Toys for Tough, Tough Boys"; "Dr. Mukti and Other Tales of Woe" and "Liver: A Fictional Organ with a Surface Anatomy of Four Lobes". Self has also compiled a number of nonfiction works, including "The Undivided Self: Selected Stories"; "Junk Mail"; "Perfidious Man"; "Sore Sites"; "Feeding Frenzy"; "Psychogeography"; "Psycho Too" and "The Unbearable Lightness of Being a Prawn Cracker".
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